Ed James is proud to be part of the Royal Wedding Alternative Invite Project. Ed wrote, designed, and photographed the image to create his invite to the upcoming nuptials of Prince William and Kate Middleton. The project will be curated by Nick and Clark of London’s CHI Advertising. The work will be exhibited at The Rag Factory (16 Heneage Street, London) on April 7th, 2011.
Photographer: Paul Murphy
Client: UK Census
Agency: Bray Leino
Art Director: Jack Kramer
Art Buyer: Lindsey Butcher
To see the whole campaign, check it out on the agency’s site.
Photographer: Peter Lippmann
Client: Piper Heidsieck Champagne
Agency: BETC Euro RSCG, Paris
Photographer: Cathrine Wessel
Client: Self Magazine March, 2011
Creative Director: Cynthia Hall Searight
Fashion Director: Evyan Metzner
Photo Director: Jean Cabacungan-Jarvis
Hair Stylist: Kevin Woon
Makeup Artist: Elaine Madelon
Model: Marina Dociatti
Shot on location in South Carolina.
Check out the slide show at Self.com.
Photographer: Lisa Shin
Magazine: Everyday with Rachel Ray
Photo Editor: Kim Gougenheim
Prop + Liquids Stylist: Megumi Emoto
Chris Frazer Smith’s “Red Setter” image won for best photography in the advertising category of Applied Arts Magazine’s 2011 competition. The winners will be showcased in the May/June 2011 issue, on their website, and at Applied Arts’ annual exhibit. The exhibit will be held on October 26th and 27th at Artscape Wychwood Barns in Toronto.
Credits:
Client – Bayer Chemical
Agency – Zone Marketing
Art Director – Robin Horrex
Photographer and director Anton Watts worked with Top Gear’s Creative Director, Charlie Turner, to photograph the $90,000.00 Fisker Karma four-door sedan, the world’s first luxury hybrid. There is also an open-topped version called the Sunset which is in the works and is meant to debut later this year. Fisker Automotive is named after co-founder Henrik Fisker, the former head of design for Aston Martin. About a billion dollars has been invested in the launch of this new line of hybrid cars. Fiskers combine the looks of a Maserati with the performance and ride of a Jaguar while emitting fewer emissions than a Prius.
Retouching: [ ZERONE ]
Client: Nissan
Agency: TBWA\Chiat\Day
Photographer: Markus Wendler
Photographer Katie Murray’s series entitled “Lost Boys” was featured at Saatchi Online. The work was selected by Rebecca Wilson. Wilson is the former editor of both ArtReview and Modern Painters.
“Lost Boys” is a result of Katie Murray’s travels with the prog-punk band, An Albatross. These pictures are portraits of boys/young men, generally in their teens and early twenties, which reference the history of portraiture in photography by engaging in a similar subject matter to that of Brassais work in the 1920s. They also infer the formal and psychological aspects of August Sander and Diane Arbus portraits. This work was made up and down the east coast of the United States at various noise punk shows, where a specific kind of androgynous sub-culture exists. Here, there is a sense of rebellion, as if this is a last stance against conventional societal. They revel in their isolation from the norm, however uncomfortable.
To view Katie’s series online, click here.
Photographer Therese Aldgard shot beauty and still life for the Benefit Cosmetics company. Anderson Hopkins’ make up artist Nicole Heffron and Anderson Hopkins’ stylist, Kelly Brown, also worked on this campaign.
Agency: Mucca Design
Creative Director: Matteo Bologna
Designer/Art Director: Melissa Chang
Project Manager: Davina Grincevieius
