Alex Bernstein photographed the McLaren Elva for Road & Track
Photographer: Alex Bernstein
Client: Road & Track
Managing Editor: Mike Fazioli
Design Firm: Godfrey Dadich Partners
Director of Photography: Rosey Lakos
Alex Bernstein photographed the BMW M3 for Road & Track
Photographer: Alex Bernstein
Client: Road & Track
Design Firm: Godfrey Dadich Partners
Director of Photography: Rosey Lakos
CGI Direction by Alex Bernstein for Toyota Venza
CGI Director: Alex Bernstein
Client: Toyota
Agency: Saatchi & Saatchi
Art Director: Connor Rouse
Art Producer: Katie Buntsma
Executive Producer, 3D: Carl Deo
3D Supervisor: Javier Bello
Alex Bernstein photographed the McLaren 765LT for Road & Track
Photographer: Alex Bernstein
Client: Road & Track
Editor: Mike Fazioli
Design Firm: Godfrey Dadich Partners
Director of Photography: Rosey Lakos
Photographer Alex Bernstein for 000 Magazine
Alex photographed a custom, all blue, factory made, 1984 Porsche 911 for 000 Magazine. Because every aspect of the car is blue (the wheels, the seats, the shifter, the gauges, and even the carpet!), looking into the vehicle feels like you are looking into an aquarium.
Photographer: Alex Bernstein
Client: 000 Magazine
Art Director: Justin Page
Alex Bernstein photographed the Ford Bronco for Esquire
Photographer: Alex Bernstein
Client: Esquire
Lifestyle & Culture Director: Kevin Sintumuang
Photographer Alex Bernstein’s “Looking Up” series
Alex photographed Los Angeles’ intricate freeway interchange system as part of an on going series made possible by the current social distancing policy.
Photographer: Alex Bernstein
Jaguar I-Pace campaign photographed by Alex Bernstein
Photographer: Alex Bernstein
Client: Jaguar Land Rover
Agency: Spark44
Creative Director: Brendan Moran
Producer: Bresser De Oliveira
Photographer Alex Bernstein for Land Rover
Photographer: Alex Bernstein
Client: Land Rover Discovery | Jaguar Land Rover
Agency: Spark44
Creative Director: Brendan Moran
Producer: Bresser De Oliveira
